The year started with a boom. Our remix of Swedish popstar Tove Styrke explored all new destinations in the wonderland of neo-italo with a melodic trancy touch. Stay calm and prepared at 1:12, when the song is totally torn down and vastly builds up towards the crescendo.
Kantillo was the last single of our Swedish Grammy nominated debut album. This release also featured a bunch of new incarnations, where this remix by insanely talented Andycap definitely was the most shining star of them all.
The brief wasn't easy. Firefox AK a.k.a. Andrea Kellerman wanted us to turn her next single into something all new. "Boom Boom Boom" was produced by Andrea together with Björn Yttling (part of Peter Björn and John, also the genius beyond some of Robyn's hits) and they definitely did a good job together. It was just the perfect pop song. But after a while, we found our own way of computerizing Andrea's dreamy voice all the way to the outskirts of Moroder-space.
A slow edit of one of the most popular tracks of our album Tanum Teleport.
Sandra Mosh revealed this tune to the general public by playing it on the National Public Radio in Sweden. Reidar Murken said "—najs".
Listen closely for the "epic door closing" trance effect around 2:55.
Through our friends at Awesome Agency in Berlin, Fex Fellini contacted us to do a remix of his impressive next release. It got widely spread around webs and clubs all over the world.
An important mark in one of the most important checkboxes in life. This is our collaboration with: The World's Fastest Rapper. True story.
Thorp got its first airing ever during an interview in Korean radio channel Arirang Radio.
We <3 Duvchi!
And the final one. The last release of 2011. A remix of the Obiter Dictum Podcast theme song.
(Horray for the HTML5-player in Soundcloud! And by the way, most of these tracks are also available on Spotify)
Thorp was once an instrumental techno track with some portions of electro in its blood. We never thought Thorp would turn out like anything close to its current shape. Since the song was found and picked up by the world famous New York rapper Tonedeff — everything changed.
Presenting: Boeoes Kaelstigen enhanced with over 9000 syllables per second.
Today the 1st of February is not only Adrian Recordings twin siblings birthday, it’s also the release date of the new Boeoes Kaelstigen single – “Kantillo”.
The third single release from the album is not also the last, it's also the most energetic and sunrise compatible of them all. Kantillo's main ingredients are cold drips of water pouring down an abandoned communications facility somewhere on the countryside.
The near future sees a remix from Boeoes Kaelstigen of Swedish pop star Tove Styrke's next single – “High & Low” and a show at Loppen, Christiania (DK) the 19th of February.
Media
“The album has a very nocturnal vibe to me with a very distinctive interaction between streams of warmth and cold.”
Thomas Vorreyer, Aufgemischt Magazine
“Again an outstanding electronic export from the north!”
Anna Enderes, Raveline
“Playful tech-house made for mobile discos, techno buses and small basements filled with art school students, cheap drinks and ectasy.”
Henrik Hallberg, VICE
“Tanum Teleport« är minimalt, kyligt och ödsligt. Det är istapparna under antenndisken snarare än technicolorbilderna den sände till världen på 80-talet.”
Billy Rimgard, Beneath a Steel Sky
“Boeoes Kaelstigen Inleder sitt debutalbum med signalen Viktigt meddelande — ni vet den som ljuder över stad och land en gång i kvarltalet. Effektfullt och kaxigt, och inte helt utan grund, för detta är inte oviktig musik, varken för huvud eller fötter.”
Mattias Grenholm, City
“Blandningen av minimal techno och nordisk vemodsklang klär dem utmärkt.”
Per Sinding-Larsen, PSL/SVT
“Boeoes Kaelstigen lyckas tack vare exemplarisk konsekvens göra sitt albums konceptuella element till fungerande beståndsdelar i musiken.”
Tobias Norström, Soundofmusic
“Rymmer både folkhemsmelankoli och tickande Kompaktbeats.”
Johanna Paulsson, DN
“Krispig och torr finsmakartechno med ett sparsamt men effektivt utnyttjande av ekoeffekter. Det är dansmusik som lämpar sig ovanligt väl att sitta still till, med böljande ljudsjok som ständigt skiftar karaktär till ett vilsamt och millimeternoggrant metronomdunk. Finare techno för fåtöljen får man leta efter.”
Björn Lövenlid, Upsala Nya Tidning
